The work of Toronto-based artist Laurie Kang is rooted in an enduring concern with the body and the forces that shape it—political, affective and otherwise. Drawing on fields such as biology, feminist theory and science fiction, Kang stages installations that take up the body in and as a process, working with unstable, continuously sensitive materials that are functionally and metaphorically primordial and in flux.

The installations of Toronto-based artist Georgia Dickie are composed from an ever-growing collection of found objects that she accrues in her studio. She selects and positions these according to an ulterior logic that eschews the values and meanings we usually assign to things. Staging, grouping, balancing, and placing are a primary focus of this artist's practice, activities that makes her presence integral to the presentation of the work.